All three films in director Christopher Nolan's epic superhero trilogy, starring Christian Bale in his dual role as Bruce Wayne/Batman.

Batman Begins (2005)
In the wake of his parents' murder, disillusioned industrial heir Bruce Wayne travels the world seeking the means to fight injustice and turn fear against those who prey on the fearful. He returns to Gotham and unveils his alter-ego: Batman, a masked crusader who uses his strength, intellect and an array of high-tech deceptions to fight the sinister forces that threaten the city.

The Dark Knight (2008)
Batman, aided by Commissioner Gordon and new District Attorney Harvey Dent, has managed to rid Gotham's streets of the organised crime gangs that once ravaged the city. Things seem to be looking up, although on the personal front, Bruce Wayne discovers he has a rival in his affections for main squeeze Rachel Dawes in the shape of the new DA who, as a political climber, likes to keep his cards close to his chest. But just when the authorities think they're finally making progress in their fight against crime, the appearance on the streets of a sinister new figure, with a demented grin and a passion for chaos, causes panic among the good people of Gotham, and leads to a battle of wits between Batman and the Joker which threatens to get extremely personal.

The Dark Knight Rises (2012)
It has been eight years since Batman vanished into the night, turning, in that instant, from hero to fugitive. Assuming the blame for the death of D.A. Harvey Dent, the Dark Knight sacrificed everything for what he and Commissioner Gordon both hoped was the greater good. For a time the lie worked, as criminal activity in Gotham City was crushed under the weight of the anti-crime Dent Act. But everything will change with the arrival of a cunning cat burglar with a mysterious agenda. Far more dangerous, however, is the emergence of Bane, a masked terrorist whose ruthless plans for Gotham drive Bruce out of his self-imposed exile. But even if he dons the cape and cowl again, Batman may be no match for Bane.

Includes over 7 hours of bonus content from all three films.

Sci-fi drama directed by Phillip Noyce and starring Jeff Bridges, Meryl Streep and Brenton Thwaites. Set in a seemingly utopian future where all war, emotion and personal freedom have been eradicated, the film follows Jonas (Thwaites), a young man who is chosen to be the recipient of the community's collective memories. As he learns the details of the community's history from The Giver (Bridges), he grows frustrated with the power those in charge hold over his fellow citizens and the terrible price they have been forced to pay in exchange for conformity and peace...

From 2011 to 2014, the Australian Generations Oral History Project recorded 300 interviews with Australians born between 1920 and 1989. The contributions to this book, a result of this project, reflect on the practice of oral history and how interviews can illuminate Australian social and cultural history. Three of the chapters consider oral history innovations: focusing on the potential for oral history in a digital age, the pioneering technologies that underpinned Australian Generations and the ethical issues posed by online digital oral history, and the challenges and opportunities for radio oral history. In addition, four chapters demonstrate how oral history interviews can be used as rich evidence for historical research: examining the interconnections between class, social equity, and higher education in post-war Australia; how life histories can transform understandings of mental ill-health; considering how oral history interviews with Australians of all ages confound stereotypical notions about generations; and investigating the ways in which family relationships mediate identities and how remembered places and objects provide points of anchor in a rapidly changing world. This book was originally published as a special issue of Australian Historical Studies.

Over generations, Australian women have envisaged a world of freedom. This new collection of documents - letters, songs, poetry, diary extracts - charts the visions that inspired women and the obstacles that confronted them. Exploring twentieth-century Australia, Freedom Bound II shows how intertwined were women's public and personal lives, and how bound by custom, ties, affections and duties. The different meanings of freedom have been shaped by the nature of women's oppression, their quests given focus by their different points of departure. Aboriginal women sought self-determination and the right to keep their children; migrant women sought to affirm culture and family ties, and escape discrimination and poverty. Overburdened mothers wanted relief from continual childbearing and a measure of self-fulfilment. Numerous women have campaigned for freedom from domestic tyranny and male violence. Together with its companion volume, Freedom Bound I, which deals with the period of colonisation, this volume documents the dreams that inspired women, the pleasures and the pain that informed their politics and the desires that enthralled them, even as they bade them to be free. It is an essential resource for students and teachers of Australian women's history.

Over generations, Australian women have envisaged a world of freedom. This new collection of documents - letters, songs, poetry, diary extracts - charts the visions that inspired women and the obstacles that confronted them.Exploring twentieth-century Australia, Freedom Bound II shows how intertwined were women's public and personal lives, and how bound by custom, ties, affections and duties. The different meanings of freedom have been shaped by the nature of women's oppression, their quests given focus by their different points of departure. Aboriginal women sought self-determination and the right to keep their children; migrant women sought to affirm culture and family ties, and escape discrimination and poverty. Overburdened mothers wanted relief from continual childbearing and a measure of self-fulfilment. Numerous women have campaigned for freedom from domestic tyranny and male violence.Together with its companion volume, Freedom Bound I, which deals with the period of colonisation, this volume documents the dreams that inspired women, the pleasures and the pain that informed their politics and the desires that enthralled them, even as they bade them to be free. It is an essential resource for students and teachers of Australian women's history.

From 2011 to 2014, the Australian Generations Oral History Project recorded 300 interviews with Australians born between 1920 and 1989. The contributions to this book, a result of this project, reflect on the practice of oral history and how interviews can illuminate Australian social and cultural history. Three of the chapters consider oral history innovations: focusing on the potential for oral history in a digital age, the pioneering technologies that underpinned Australian Generations and the ethical issues posed by online digital oral history, and the challenges and opportunities for radio oral history. In addition, four chapters demonstrate how oral history interviews can be used as rich evidence for historical research: examining the interconnections between class, social equity, and higher education in post-war Australia; how life histories can transform understandings of mental ill-health; considering how oral history interviews with Australians of all ages confound stereotypical notions about generations; and investigating the ways in which family relationships mediate identities and how remembered places and objects provide points of anchor in a rapidly changing world. This book was originally published as a special issue of Australian Historical Studies.

This collection explores the intersections of oral history and environmental history. Oral history offers environmental historians the opportunity to understand the ways people's perceptions, experiences and beliefs about environments change over time. In turn, the insights of environmental history challenge oral historians to think more critically about the ways an active, more-than-human world shapes experiences and people. The integration of these approaches enables us to more fully and critically understand the ways cultural and individual memory and experience shapes human interactions with the more-than-human world, just as it enables us to identify the ways human memory, identity and experience is moulded by the landscapes and environments in which people live and labour. It includes contributions from Australia, India, the UK, Canada and the USA.

This collection explores the intersections of oral history and environmental history. Oral history offers environmental historians the opportunity to understand the ways people's perceptions, experiences and beliefs about environments change over time. In turn, the insights of environmental history challenge oral historians to think more critically about the ways an active, more-than-human world shapes experiences and people. The integration of these approaches enables us to more fully and critically understand the ways cultural and individual memory and experience shapes human interactions with the more-than-human world, just as it enables us to identify the ways human memory, identity and experience is moulded by the landscapes and environments in which people live and labour. It includes contributions from Australia, India, the UK, Canada and the USA.

A Hill's hoist, some trees and a lawn; a field of rotting potatoes; a dazzling display of flowers or an oasis of peace and privacy? "Green Pens" reveals the passion, frustration, joy and despair that gardens have inspired throughout Australia's history. This is a charming selection of clippings from gardeners who love to write and writers who love their garden spans eras, fashions and genres. Letter and diary entries show ordinary people revelling in or struggling with their gardens; informed advice is offered by newspapers and magazines while extracts from gardening catalogues, planting guides, novels and poems reflect the full range of what a garden can mean - from the prosaic to the profound.

Double bill of films from the hugely popular 'Batman' franchise. In 'Batman Begins' (2005), in the wake of his parents' murder, disillusioned industrial heir Bruce Wayne (Christian Bale) travels the world seeking the means to fight injustice and turn fear against those who prey on the fearful. He returns to Gotham and unveils his alter-ego: Batman, a masked crusader who uses his strength, intellect and an array of high-tech deceptions to fight the sinister forces that threaten the city. 'The Dark Knight' (2008) sees Gotham's avenging angel squaring up to a new kid on the block - psychotic prankster, the Joker (Heath Ledger). In the space of a year, Batman (Bale), aided by Commissioner Gordon (Gary Oldman) and new District Attorney Harvey Dent (Aaron Eckhart), has managed to rid Gotham's streets of the organised crime gangs that once ravaged the city. Things seem to be looking up, although on the personal front, Bruce Wayne discovers he has a rival in his affections for main squeeze Rachel Dawes (Maggie Gyllenhaal) in the shape of the new DA who, as a political climber, likes to keep his cards close to his chest. But just when the authorities think they're finally making progress in their fight against crime, the appearance on the streets of a sinister new figure, with a demented grin and a passion for chaos, causes panic among the good people of Gotham, and leads to a battle of wits between Batman and the Joker which threatens to get extremely personal.